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LILO STHAL
17-23.11.2025


BETTINA NEUHAUS​
12-18.01.2026


VERA MANTERO​

23-29.03.2026


KIRSTIE SIMSON​

11-17.05.2026

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PROJECT
A STRUCTURED PROGRAM, MADE OF 4 INTENSIVE WEEK THAT HAS THE AIM TO OFFER A VALUABLE AND SUSTAINABLE POSSIBILITY OF STUDY AND RESEARCH IMPROVISATION AND COMPOSITION, WITHIN A GROUP AND INSIDE THE FRAME OF A BEAUTIFUL LANDSCAPE IN NATURE.

GROUP

THE INTENT IS TO GATHER A GROUP OF EXPERIENCED MOVERS (SOMEONE WHO ALREADY HAVE A MATURE UNDERSTANDING OF THE UNDERLYING PRINCIPLES IMPORTANT FOR IMPROVISING AND MAKING DANCES IN THE MOMENT) THAT PARTICIPATE IN THE ENTIRE PROCESS, CREATING A NOURISHING ENVIRONMENT FOR BOTH THE INDIVIDUAL AND THE COLLECTIVE GROWTH.

TEACHERS
THIS JOURNEY WILL BE GUIDED BY 4 ARTISTS AND DANCERS THAT HAVE MATURED A PERSONAL RESEARCH INTO DANCE IMPROVISATION PRACTICE. THIS WILL ALLOW RENEWING THE PRACTICE BY INCORPORATING DIFFERENT APPROACHES.

17TH  - 23TH NOVEMBER 2025 

November 2025 | Lilo Sthal

Istant composition as a permanent process of discovery

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Ph: Dieter Hartwig

As improvisation artists, we are in a permanent process of discovery. This process comprises three essential steps: generating movement material, referring to space, time and interaction, and the immediate design of the overall composition. In this training, we will sharpen our awareness of these three steps. On the foundation of a specific and joyfully mobilizing training, which integrates spontaneity, lightning-quick decisions as well as the play with chance, movement material is generated and an intuitive approach to composing is practiced. The work focusses on sensitizing perception and sharpening physical and mental presence. On the basis of specific tasks, movement material is invented, its atmosphere and emotional connection are examined and potential movement patterns are identified and being worked on. The application of these tools helps to open access to creative resources and thus the emergence of diverse movement material. Within the examination of compositional principles there is space, for spontaneous events -solistically as well as in diverse group constellations. From moment to moment we are able to make decisions and move along questions such as – when do we become active and when do we rest? How do we cultivate playfulness and curiosity? How can we gently direct our attention and at the same time be ready to integrate spontaneous events and coincidences? Lilo Stahl Dancer / Instant Composer - Freelance in teaching / stage work since 1981. Essential co-creator of new dance developments as well as establishing improvisation as a stage form. Co-founder of bewegungs-art Freiburg (1979), from 2006 - July 2021 co-director of TIP - full-time training in dance, improvisation and performance, since 2021 co-curator of onCe instant composition Festival Freiburg, Germany. Danced and created solo and ensemble pieces, 1987 - 91 member of Anzu Furukawa's Company Dance Butter Tokyo. Since the mid-nineties she has followed her love for instant composition, since then numerous performances in various constellations with international dancers and musicians, such as Michael Schumacher, Charlotte Zerbey, Alessandro Certini, Trio Kimmig-Studer- Zimmerlin and many more…, constantly duets with Harald Kimmig. Solo - what if, part of a solo research “Stille & Lärm” sponsored by DIS-TANZ-SOLO, Premiere at soundance-festival Berlin

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Ph: Patrick Beeleart

12TH - 18TH OF JANUARY 2026

January 2026 | Bettina Neuhaus

Dancing on poetic ground

Skinner Releasing Technique as a foundation for composing with movement and voice

This workshop offers the practice of Skinner Releasing as an entry into dancing and making dances that may include our sound and voice. Skinner Releasing Technique (SRT) is a poetic and experiential approach to movement, dance and creative process developed by American dance artist and pedagogue Joan Skinner (1924-2021), having been further evolved and refined since its advent in the early 60s. SRT stimulates the process of letting go of unnecessary tension, releasing new possibilities in how we perceive and how we dance. Poetic imagery, shared partner studies and improvisational practices allow wide-ranging and nuanced kinaesthetic experiences of movement, often providing a sense of wholeness. Allowing movement to happen, awareness as a first step to change, and playfulness are some of the essential principles of this experiential and process-oriented practice. Engaging with suppleness, economy, suspension and a multi-directional alignment provides the experience of ease, strength, presence and freedom, in both movement and stillness. Mornings: Each day starts with a Skinner Releasing class in which dancing becomes a way to open the body and to become receptive to our intuition and imagination. Afternoons: Inspired by the morning Releasing practice, the afternoon sessions offer ways into making dances, using voice, words and movement. Emphasis is given to the sensuous dancing body and our intuition, guiding us in what wants to emerge and become material. Approaching vocalization as another kinaesthetic dimension of dancing, we investigate the spectrum of breath, sound, pre-verbal expression and words, and how to direct our spontaneity and the fluidity of receptivity. Attention is given to being in relationship with the material as we create and perform it, and as it is living within the composition. Bettina Neuhaus (Amsterdam) Independent Dance Artist and mentor, active in the field of performance and theatre for more than 3 decades. At the heart of her work are Instant Composition in performance and collaboration with dancers, musicians, visual artists and light designers. Her artistic interest centers especially around the narratives and poetry which unfold in the interplay between dance, live music and language, revealing aspects of our human condition and interdependence. Bettina studied Skinner Releasing Technique (SRT) with Joan Skinner in Seattle and is a certified SRT teacher at both Introductory (2004) and Ongoing (2011) levels. She holds an MA from Trinity Laban Conservatoire of Music and Dance in partnership with Independent Dance, London. With a growing interest in ecology and our entanglement with the world, she has been developing a movement practice in natural environments since 2010, which she shares in projects and special workshops. Bettina teaches Instant Composition and SRT at independent studios, art and dance colleges and universities in Europe and South America. www.bettinaneuhaus.com

23TH - 29TH MARCH 2026 

March 2026 | Vera Mantero

The Thinking Body

Workshop of composition / interpretation

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Relaxation, the use of voice, writing, breathing and free association are some means to be used in this workshop in order to find the movements and actions going on inside us. We will explore some of them separately first in order to incorporate them later in longer and more complex improvisational processes. The idea of getting inside a particular state of consciousness will be very important. Awareness and use of space, and the exploration of objects and materials will not be forgotten. Irony and empty hands will take us further. BIO Vera Mantero studied classical dance until 18 years old and danced in the Gulbenkian Ballet (Lisbon) between 1984 and 1989. She started choreographing in 1987, and since 1991 has been presenting her work all over Europe, Argentina, Uruguay, Brazil, Chile, Canada, Singapore, South Korea and the USA. She regularly teaches composition and improvisation in Portugal and abroad. Since 2000 she has also been exploring vocal work and co-creating experimental music projects. She represented Portugal at the 26th São Paulo Art Biennial 2004 together with the sculptor Rui Chafes with the co-creation “Eating your heart out”. Her artistic work has been recognized with institutional awards such as the Prémio Almada (Ministry of Culture - 2002) or the Prémio Gulbenkian Arte for her career as creator and performer (2009). She regularly teaches composition and improvisation in Portugal and abroad. In 2024, she donates her Archive to the Serralves Foundation.

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Ph: Harry Jordon

11TH - 17TH MAY 2026 

May 2025 | Kirstie Simson

Dance Improvisation Practices

that offer Resilience and Support in Difficult Times

Kirstie draws from her extensive experience of Contact Improvisation, dance techniques, the Alexander technique, Aikido, meditation, and her broad knowledge of improvisation in performance. She shares her work through facilitated exercises, open time for play and exploration, movement scores, observations, discussion, and humour. Much of the work is experienced through partnering and connection with others, balanced with solo time for processing and reflection. There is deep inspiration and rigor in a practice of improvisation that posits vulnerability at its heart. Developing the skills to be able to care for, engage, respect, and respond to that state of openness in oneself, others and our environment generates creative work that is powerful and transformative. Learning from a place of interconnectedness can give us the resilience and insight to face life's challenges and complexities. In this workshop Kirstie shares the movement practices and underlying philosophies she has developed over forty years of her committed involvement with dance improvisation as a ‘life-practice’ that has helped her negotiate life’s ups and downs, including a life-threatening illness in 2020. Integral with the physical practices she will elucidate how she sees embodied practices as vitally important for developing the resilience to face into and respond to the challenging times we are living through. This workshop will give participants the opportunity to delve deeply into the wisdom embedded within embodied practices, both in the studio space, as well as exploring movement scores in the outstanding natural environment surrounding the space (weather permitting). Kirstie will facilitate the work, guided by her own depth of body-knowledge gleaned over the years in which she has pursued a dedicated practice of listening, inquiry and belief in the importance of life- affirming embodied knowledge. BIO Kirstie Simson (UK) has been a continuous explosion in the contemporary dance scene, bringing audiences into contact with the vitality of pure creation in moment after moment of virtuoso improvisation. Called "a force of nature" by the New York Times, she is an award-winning performer and teacher who has "immeasurably enriched and expanded the boundaries of New Dance" according to Time Out Magazine, London. Kirstie is internationally renowned today as an excellent teacher, a captivating performer, and a leading light in the field of Dance Improvisation, with a dance practice that spans over four decades. From 2008 – 2020 Kirstie held a position as a tenured professor in the Department of Dance at the University of Illinois. In August 2020 Kirstie returned to her home base in Wales from where she continues to share her work around the globe. She is currently involved with the Black Mountains College in Wales, helping to design an innovative degree course of planet-centric education towards building a better future incorporating the arts & sciences. The BA in Ecological Futures will launch in September 2022. Kirstie is beginning to frame her work now, in the light of our uncertain future, as practices that can help us develop resilience in the face of challenge. She uses her own experience of facing a life-threatening health issue in 2020 as a foundation for her ongoing research into the power of embodied intelligence. www.kirstiesimson.com

THE PLACE
THE PROJECT WILL TAKE PLACE IN GAIA TERRA, A BEAUTIFUL ECOVILLAGE IN THE NORTH OF ITALY; A PROJECTS CONTAINER, A FORGE OF EXPERIMENTATION TO CREATE ALTERNATIVE POSSIBILITIES TO INHABIT THE LOW-IMPACT PLANET.

FEATURS

WOODEN STUDIO | 180 SQUARE METERS

FOOD | BREAKFAST, LUNCH AND DINNER WITH LOCAL BIOLOGICAL PRODUCTS

ACCOMMODATION | SINGLE BED IN A COMMON SPACE OR ECO-CAMPING

DRESSING ROOMS | BATHROOM AND SHOWER WITH HOT WATER

CHILL OUT AREAS | BIG AND COZY DINING ROOM, EXTERNAL PATIO

BEAUTIFUL NATURE | RIVER IMMERSED IN THE WOODS, GREEN FIELDS

RESEARCH PERIODS

THE PROJECT WILL BE DIVIDED INTO 4 INTENSIVE WEEKS OF 7 DAYS, DISTRIBUTED FROM NOVEMBER 2025 TO MAY 2026. EVERY DAY WILL BE STRUCTURED WITH 6 HOURS OF SCHEDULED PRACTICE WITH 1H30 LUNCH BREAK.

 

​FROM MONDAY TO FRIDAY WE WILL BE STUDYING WITH AN INVITED ARTIST, WHILE SATURDAY AND SUNDAY ARE TWO DAYS IN WHICH THE GROUP WILL CONTINUE RESEARCHING WITHOUT THE TEACHER IN A COLLECTIVE PROCESS OF DIGESTION AND INTEGRATION OF THE LEARNING. STUDIO AND OTHER SPACES WILL ALWAYS BE AVAILABLE FOR SPONTANEOUS ACTIVITIES SUCH AS JAMS, PERFORMATIVE NIGHTS, CINEMA, BODYWORK, SOMATIC PRACTICES AND ANYTHING INSPIRE US.

COSTS

​THE COST FOR EACH WEEK OF STUDY IS 240€. THIS COST INCLUDE THE 27H OF WORKSHOP + THE TWO DAYS OF CO-FACILITATION.

 

THEREFORE, THE COST OF THE ENTIRE STUDY PROGRAM IS 960€. THIS INCLUDES 4 WEEKS OF STUDYING WITH AN INVITED TEACHER FOR A TOTAL OF 108 HOURS PLUS ALL THE OTHER RESEARCH ACTIVITIES THAT WILL BE SHARED WITH THE GROUP. 

 

THE COST FOR FOOD AND ACCOMMODATION IS NOT INCLUDED, IT WILL BE PAYED DIRECTLY TO GAIA TERRA AND IS 260€ PER WEEK. THIS COST INCLUDES 7 NIGHTS IN A COMMON DORMITORY, 14 MEALS + 7 BREAKFASTS.

HOW TO PARTECIPATE

APPLICATION WILL OPEN ON THE 5TH OF MAY VIA AN APPLICATION FORM ON THIS PAGE. ​THE SELECTION IT IS MADE WITH THE ONLY AIM OF CREATING AN ENVIRONMENT THAT SUPPORTS LEARNING AND TO GATHER A GROUP OF PEOPLE THAT HAVE A SIMILAR UNDERSTANDING OF THE PRACTICE.

THERE ARE ONLY 20 SPOTS AVAILABLE FOR THE ENTIRE PROGRAM.

FEW SPOTS WILL BE AVAILABLE FOR ATTENDING ONLY 1,2 OR 3 WEEKS. PRIORITY WILL BE GIVEN TO THOSE WHO CAN ATTEND THE ENTIRE PROGRAM.

..........SOME ​MEMORIES FROM THE FIRST EDITION FILMED BY CONTRJOUR

​LOGISTIC

ARRIVAL ON SUNDAY AFTERNOON/EVENING AND DEPARTURE AFTER LUNCH OF THE LAST DAY.​ 

FOR ANY FURTHER INFORMATION OR DOUBT CONTACT US! COLLETTIVOMACULA@GMAIL.COM

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