Greetings from the Void investigates the relationship between human presence, objects and environment by interweaving choreography and installation, to give voice to the feeling of existential uncertainty and disorientation that characterises our age. The choreography evolves in real time in parallel with the sound and light landscape that emerges from the choreography itself and informs its progression. Each movement creates sound fragments, recorded and transformed into a dynamic musical ecosystem. This sensory environment, in which light and sound interact, gives rise to a narrative rich in potential meanings. The work invites one to confront the idea of the possibility of radical freedom; is it possible to accept the absence of universal meaning and fully embrace the responsibility to create one's own meaning?